12 Circles

12 Circles; remains unfinished.
The last 3 weeks have been lost in a blur of labyrinthitis. And the future looks pretty hazy too........I get a couple of 'good days' where I feel better......then stumble back into illness. I'm not daring to work on this, in case I mess it up; so I'm pulling out fragments of fabric; and stitching them together in a random linear fashion.
To go in the exhibition at Westgate Chapel for the Artwalk on 30 September.
Since Kate died earlier this year, there's been no-one to co-ordinate the Artwalk exhibitions at the Chapel; so I offered to take it over.
Six exhibitions a year. Organising publicity through the website, and facebook page. Not massively onerous. And, of course, contacting artists. I've got 5 of the 2016 slots filled; one more to go. Next year may prove a busy one then! 
 

stitching eclipse........

'bandaged heart'

 Close up; the 'heart' with loose threads.

 The complete piece. It's turned out like a small cushion.....so for the exhibition in November, I'm thinking to put it onto a chair, and just hope no-one sits on it!

I printed onto a bandage, and stitched the fabric/s together.

Layers; and stuffed with quilting fibre.

Then stitched onto denim, as the background fabric. 

This was one day in spring, in the very early stages of making, when the sun shone in through the studio door, and illuminated the procian dyed polyester! You can see the texture of the bandage more clearly in this photo.

studio wall

Some of the collage samples I'm currently working on, pinned up on my studio wall. I'm using lots of the plant-dyed fabric I've made over the last 12 months or so. And I'm going through the fabrics I dyed on the City & Guilds course, and various fabrics I've collected, and been given.
These are all going towards an exhibition in November. It seems a long way away, but it will soon come round.

above & below

And this is the updated photo. Not quite the whole sample; but most of it.

This is one of the samples I'm making. Fabric collages. This one is called 'My Family' and the fabric comes from my dad, and my brother. It has frayed edges. Lots of frayed edges. That we regularly find in families.

 As above......

.........So below.
The sky in March was spectacular. Not today though; we've had 3 days of pollution warnings, and grey, grey skies. Like being stuck in a gloomy November. It feels like a time machine; we're in April, and heading towards spring, yet the world feels as though it's winter....brrrrrr.
Those daffodils were caught on a day of brilliant sunshine. The daffs are almost gone now; but other plants are coming through. I've planted seeds; peas, beans, lettuce, courgettes, tomatoes, peppers. Some are in pots, and on windowsills, some directly into my raised bed, and protected by glass. I'm looking to the future; yet aware of the past.
My mum would receive daffodils from the Mothering Sunday church service. It was Mother's Day last Sunday. I took flowers to the grave where her ashes are. I put some daffodils in. She still had them, for Mother's Day.

Geta Bratescu

I found this on Cynthia Korzekwa's blog; http://artforhousewives.wordpress.com/

 

'Artist Geta Brătescu is considered one of the most important figures in the Romanian avant-garde of the 1960s and 1970s.  She studied art and literature but was forced to quit her studies. Born in 1926, she made art for years before the international art world even knew of her existence.

In 1989, when the communist regime ended in Romania, Geta’s work began being exhibited beyond her geograhical boundaries.

Geta, initially, focused on drawing but eventually experimented with many art forms. Those which intrigue me the most are from the ‘Vestigii’  (Vestiges) series. She’s taken old clothes and  fabric scraps to make collages. Geta also makes sewing machine drawings.'

These are so beautiful! Thank you Cynthia for showing me these artworks, and allowing me to meet Geta!

weaving #4

Over the xmas holidays I managed to get some more work done on this weaving.....that has been going on for 12+ months!
It's almost complete now. But I have to consult with Tracey as to how to tie it off, and cut it from the frame/loom. Once I have her advice, I can give her the frame back, and work with a framer to get the weaving framed up.  

rend & mend #3

This is just about completed now. The close-ups show the stitching nicely I think.

crazy shirt

Back

Not quite a 'crazy quilt' because I've not done any padding/quilting on this shirt. But it is 'pieces' I've stitched over the shirt; the purple cotton underneath. I started it last winter; as part of my plan to keep warm throughout winter/s, and also an attempt to reduce my heating bills; in this country we have people having to choose between eating, and heating. So; having come across sashiko stitches, and learning from Saskia about 'Boro' and the way fabric and stitches are used in traditional Japanese working-class communities, I decided to 'just sew' and patch a shirt that I could pull on over my clothes, and layer up to keep warm. Because it's so random, and un-designed, it won't matter about keeping it clean, or neat, or tidy. I can just chuck it into the washer when it needs washing; I can just put it over layers, and put a fleece over the top of it if I want. It's cotton, so it's not too bulky; I can use it in the studio; in the garden; camping; it will be useful in all sorts of situations.  

Front

And it's on the final push! I've stitched almost all the way round the shirt, and am onto the left-hand front side. Gonna leave the sleeves as they are. The patches are a mix of bought fabric; gifted fabric; and fabric hand-dyed by me.
The stitches strengthen the fabric; they create increased insulation; they add texture; and each one made by hand!

As I'm typing this, R6 Tom Robinson show is playing music in tribute to Nelson Mandela, to mark his death. And tonight is the anniversary of John Lennon's death. Feels a dark time, as we lead up to the longest night.
Dusk fell early. I was out in the garden pottering about; watching a stunning sky of orange clouds illuminated from below.

sewing box

 Closed

 Open

Innards



walnut dyed

My washing line of dyed fabric; last week when the sun shone. Today is cloudy, rainy, and dreach, as the scots say. Nearest is a piece of silk from a child's silk bridesmaid dress, that I got in a charity shop in Eyemouth in the summer. It's dyed in the woad dye-pot I've been using recently.

Here is the same silk, this time dyed using walnut husks. It's beautifully mottled.

 Here is the same silk dyed from walnuts.

And here are the walnuts! They were really easy to peel, though I did take the precaution of wearing rubber gloves. Boiled 'em up, and dunked in the silk. I managed to pop a couple of pieces of cotton in too, but I do admit that the silk has taken the dye so much better. I then went into a frenzy of walnut dye-ing; and put another piece of silk in the pot. And some more silk into what remains of the woad. I think the dress is about used up now, so I'm going to have to be on the lookout in charity shops for more second hand silk clothes.

more woad

Here's the silk from the child's bridesmaid dress, dunked into the woad dye-bath. Bought the dress in Eyemouth back in August. The silk is a 'slub' silk; which means it's uneven on the surface; the spin of the silk is uneven, creating thick and thin lengths of thread. Tiny imperfect weaves. Gives the fabric a lovely texture. I'm expecting the woad to exaggerate this texture, when I take it out, wash, and dry it.
The results I'm getting with the woad, are a very uneven colouration. Maybe that's because I'm using such a small dye-bath? I do like that effect actually, so it doesn't bother me.

This is a cotton top Jill gave me; me wearing it. The details of the string I tied around the cotton reveal a lovely pattern; hardly touched by the blue woad dye, it's remained white. As I took this photo myself, it was hit & miss getting an image that was anything like!

sample #5...again

The completed sample. A mix of cotton/linen blend fabric,with marbled colour, and recycled dyed silk. A stitched labyrinth, and some weaving.
I'm working on another sample; which has a lino-print, and stitching. Feeling that I'm cracking on with these samples for the course.

sample #5

Working on my next sample for the City & Guilds course.
I was busy in the 'alchemical kitchen' last week. Went out to pick cow parsley, and make a dye for some of the re-cycled silk (wedding dress). Success! It's a gorgeous yellow. Though the colour in the dye-pot may be more intense than the final fabric colour? Well, there's enough cow parsley out there to do another dye-pot.
I also bought an avocado, to eat, then use the skin and stone to try compost dye-ing again. As the weather is so much warmer, it might have better results.
The 'Time Team' programme focused on Star Carr last week. Showed the reindeer masks that were found there. There's a display of some of the finds from Star Carr at the Yorkshire Museum, so I'm hoping to go visit over the summer. 
I began a painting after I visited Star Carr last summer. Once I've completed this course, I'll get that painting out again. Work out what I want to do with it. I'm looking forward to painting again, after the last 9 months of textiles.
  

eucalyptus dye-pot

Hmmmmm; not very successful results from the eucalyptus dye-pot I've had on. SO.....this is rolled up again, and popped into the next batch!
I've decided I'm not that fond of the folded patterns. They're not bold enough for me. 
However, this is the cotton/linen mix fabric which wasn't pre-mordanted with soya milk. There are some subtle blobs on the fabric; but they don't stand out enough really. So I've left it in the pot, to see what develops. The other piece of fabric has also been dunked in the second batch. I hope they'll darken. 

reverse

This is the back of one of my stitched sample pieces for my City & Guilds course. What struck me was the lines; how they look like paths, or rivers, or lines in the landscape that can be seen from aerial photography. It's like a map. Funny how things emerge from something else. The front bears no relation to landscape, or maps, or any of my usual concerns. And yet, and yet, almost as if the underside bears witness to my psychological pre-occupations. It's glued down now, in my portfolio, and no longer visible. A hidden landscape. 

snowy studio #4

The view to the studio, from the house. 

I've been popping in and out, looking for fabric to use on my boro shirt; and also investigating materials I could use on a collagraphy plate. I've cut up an aluminium beer can, to create the basic 'plate'. Now, to create the marks, using the materials I've collected, that will constitute the printing plate.

The snow brings me the perfect opportunity to stay indoors, keeping warm & stitching! I'm drawn to adding patches to the shirt I've been working on; my 'boro' project. Perhaps it's the colours in my hand I crave, when outside all is monochrome? 

I'm using running stitch; all done by hand. Gives a lovely rippled effect to the fabric; 3-dimensional textures. 

Went out for a walk in the snow yesterday, and took some photos of Alverthorpe Beck, including the lagoons. Work is still being done on the flood defences up there. I don't envy the security man having to sit in his portacabin in this weather. He must get cold.

Up-date

Whitby Museum is a treasure-trove of fascinating objects. It's a 'proper' museum; none of this 'interactive' stuff here! Above is a photo of a woven/knitted outfit on display, taken on a visit years ago now. It seems fitting to include it here, as I'm working on a City & Guilds qualification in creative textiles. Nothing as elaborate as this, thankfully! We're creating mostly samples. It's taking up a lot of my time though, so I expect my blogging will lessen over the term/s.
And of course, my socks knitting continues. Still not near to turning the heel, which is where I'll need some help.
There's the upcoming exhibition to prepare for too; 'Woolgathering', at Westgate Studios, in November. So I'm kept pretty busy at the moment.

I've been out tidying up some of the garden; had baked apple tonight from my apple tree. A bad harvest this year, hardly any apples; but then everywhere has had bad harvests, with the weird weather.
Sitting in my home studio over the weekend, I spotted a squirrel lolloping along the fence outside. S/he did a stop-over at my birdtable, to collect anything the birds hadn't taken. Unlike some people, I don't mind squirrels on my birdtable. I don't have gangs of them. And there's plenty of berries around at the moment for birds and squirrels alike. Good harvests there then!

Palimpsest

 Three photos; not quite matching up......overlaps.

The stitched and layered 'jigsaw' piece; using sashiko stitches; organzie overlay; map lines; aerial photography earth lines.

Spurn Point; 'Textures of Spurn'

View through the lamproom window of the lighthouse at Spurn Point. Looking to the north (east) of Spurn Point.

We visited Spurn Point yesterday, to see Alice Fox's textile (and print) exhibition 'Textures of Spurn', on show at the Lighthouse. It was an opportunity to not only see the work (I've been following her artist-in-residence blog) but also to go inside the lighthouse, which is no longer in use.

Despite the weather; cold, windy, cloudy, with occasional rain; the views were fantastic, and the shape of the spit of land was made visible. 

The clouds were dark and threatening; the wind hummed through the telegraph wires like an Aeolian harp; the sea boomed and crashed.

It was an elemental place, and we were scrubbed clean by the sand blown across our bodies; faces and hands, scoured. I returned home with sand in my hair; dishevelled.

We walked the 3.5 miles from the car park, down to the lighthouse. Walked the steps up (and down) the lighthouse. Then walked the 3.5 miles back to the car. 

It was an exhilarating walk. A walk of memories, of previous visits to Spurn. And worth the walk, to climb the lighthouse steps, and see Alice's artworks. 

Alice Fox's enormous textile piece, 'Spurn Cloth #1', tied, and displayed around the circular space of the lamproom at the lighthouse.

 Another view of the lamproom textile piece, 'Spurn Cloth #1' by Alice Fox.

'Spurn Cloth #2' by Alice Fox. Hanging down two floors of the lighthouse space, at Spurn.

You can see Alice's blog, which tells the story of her residency, at www.spurnpointartistinresidence.blogspot.co.uk